{"id":2559,"date":"2025-06-08T13:30:11","date_gmt":"2025-06-08T13:30:11","guid":{"rendered":"https:\/\/coelner-zimmer.de\/?p=2559"},"modified":"2025-10-31T14:39:42","modified_gmt":"2025-10-31T14:39:42","slug":"2559-2","status":"publish","type":"post","link":"https:\/\/coelner-zimmer.de\/en\/2559-2\/","title":{"rendered":"FUTURE_2"},"content":{"rendered":"

FUTURE_2<\/h2>\n

ON THE EDGE OF LIGHT<\/strong><\/p>\n

Constanze Victoria Thieleke<\/strong>
\nTed Green<\/strong><\/p>\n

Painting<\/p>\n

28.03.25-11.5.2025<\/p>\n

Opening Fr 28.03.25 7pm
\nIntroduction to the exhibition: Melissa Blau<\/p>\n

Opening hours: Thu.+Fr. 3-7pm, Sa. 1-5pm<\/p>\n

\"\"Are painted pictures characterised by a particular temporality, and if so\nwhich? <\/span>Future_2 <\/span>the<\/span> edge<\/span> of<\/span> light is an exhibition of works by Ted <\/span>Green and Constanze Victoria Thieleke <\/span>and<\/span>, whose common ground is a painting <\/span>that emphasises its own metrics and presents itself <\/span>as an accumulation,\noverlapping and condensation of rhythms, intervals and processes. <\/span>verstehen gibt.<\/span><\/p>\n

Ted Green's dynamic and lively pictures are based on a way of working <\/span>which, starting from a grid structure, places serial forms next to and on top of each other in alternating <\/span>and interweaves them <\/span>In doing so\nGreen uses stencils that go back to his fascination with biology <\/span>and have already been used in earlier series of works, which means that the pictures <\/span>complex interplay between necessity and contingency <\/span>is inscribed in the\ncontingency in the pictures from the outset. <\/span>This combination of repetitive structures and freely fluctuating forms is reminiscent <\/span>of the opposing traditions of concrete art and expressive painting <\/span>in equal measure. The picture appears as a fluid medium or organic matter, on whose <\/span>the swirling surface of which the abundance of life is configured in a pulsating manner. <\/span>This rhythmic time <\/span>In Thieleke\u2018s<\/span> painting is contrasted with the time of persistent continuity. <\/span>She works with overlapping hatchings of coloured pencils and pastels <\/span>whose unobtrusive colourfulness is deeply anchored in the raw canvas <\/span>giving the works a <\/span>gentle <\/span>sensuality that is rough and vulnerable at the same time. Through the subtle use <\/span>light sources, the pictures become scenes from whose imaginary depths <\/span>the\ngradually emerge from the imaginary depths. <\/span>and<\/span> works on <\/span>joined lengths of fabric. On the one hand, the edges are part of <\/span>the\ncomposition, but they also emphasise the raw <\/span>the raw resilience of the material itself, with the fraying ends reminding us that <\/span>that every picture ends somewhere and disappears.<\/span><\/p>\n

In the history of abstract painting, one of the questions we encounter <\/span>is, from which it draws the necessity and validity of its respective formal language <\/span>a discussion that is closely linked to the concepts of authorship and originality. <\/span>It is remarkable that both Green's <\/span>and<\/span> Thieleke\u2018s <\/span>works are ultimately based on a personal painting process, <\/span>it is noteworthy that both\nhand over decisive parameters of design to external factors, <\/span>which restrict the personal decision. Green works with templates, <\/span>and<\/span> Thieleke works in connection with the material conditions of the subject matter. <\/span>In a sense, one could say that the picture and its material <\/span>conditions are themselves involved in the creation. <\/span>Furthermore, <\/span>the<\/span> language of form <\/span>which is characterised by intervals and repetitions, refers <\/span>to the processes of industry and machines. In this sense, the <\/span>exhibited works, the order of the mechanical is contrasted with the order of manufacture <\/span>- the hand of the artist - and placed in a larger <\/span>anthropological context.<\/span><\/p>\n

Melissa Blau<\/span><\/p>\n

 <\/p>\n

\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"<\/p>","protected":false},"excerpt":{"rendered":"

FUTURE_2 ON THE EDGE OF LIGHT Constanze Victoria Thieleke Ted Green Malerei 28.03.25-11.5.2025 Er\u00f6ffnung am Fr. 28.03.25 um 19h Einf\u00fchrung in die Ausstellung: Melissa Blau \u00d6ffnungszeiten: Do.+Fr. 15-19h, Sa. 13-17h Weisen sich gemalte Bilder durch eine besondere Zeitlichkeit aus, und wenn ja welche? Future_2 On the edge of light ist eine Ausstellung mit Arbeiten von […]<\/p>\n","protected":false},"author":5,"featured_media":2801,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-2559","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-previous-exhibition"],"yoast_head":"\nFUTURE_2 | coelner zimmer<\/title>\n<meta name=\"description\" content=\"Kunstgalerie f\u00fcr Zeitgen\u00f6ssische Kunst in D\u00fcsseldorf\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/coelner-zimmer.de\/en\/2559-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FUTURE_2 | coelner zimmer\" \/>\n<meta property=\"og:description\" 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